Advice

We run through the top music industry newsletters and blogs to subscribe to, whether you’re an indie musician or a label owner.

We speak to four unsigned, DIY musicians who explain how they have scored syncs and the impact that it’s had on their careers.

A guest post from Resilient Music‘s Richard Kirstein on the relationship between music rights owners and brands and agencies.

Our friends at Music Biz help us to navigate the complicated world of music licensing with this Global Music Licensing Quick Start Guide.

Artist manager and NYU faculty Marat Berenstein talks us through the key factors involved in music licensing and clearance.

Part 2 of our interview with ex head of the Virgin, Chrysalis and Stage Three publishing companies Steve Lewis.

Check out music supervisor Joel C. High‘s great advice for artists and catalogue owners from our webinar last month.

Last month we held a webinar with music supervisor and founder of Creative Control Entertainment Joel C. High (Monster’s Ball, Crash, Weeds, Saw). In this post we look at his advice for aspiring music supervisors.

What music supervisors wish you knew…but were too afraid to tell you. A guest post by PlutonicGroupSyncs‘ Pam Lewis-Rudden.

Sync and music licensing in general can be a confusing place full of industry terms and contract lingo. We’ve created an index of the key phrases and terms you need to be aware of:

Check out part 2 of our conversation with Lindsey Smith, music supervisor at Playstation.

Over the last year we’ve been working with more and more indie companies who want to make sync work better for them. If you’d like to do the same but find the world of sync a daunting and confusing place (which it often is), check out our 5 essential tips: