Interviews

We chat to music supervisor Lindsay Wolfington about her work on shows like The Royals, One Tree Hill, and ShadowHunters.

What’s it like to music supervise the biggest, most expensive, and wonderfully ridiculous car show out there? Matt Kaleda of Felt Music talks us through the process of working on The Grand Tour.

As this year’s much-awaited John Lewis Christmas advert ‘Buster the Boxer’ hits our screens, we chat to music supervisor Abi Leland about finding the right track for the campaign.

We chat to Laura Katz about her time leading Cutting Edge’s Music Services in Los Angeles, and launching Supe Troop, her very own music supervision company.

Entertainment industry veteran Tarquin Gotch chats to us about his time in A&R, working with the brilliant John Hughes on films like Ferris Bueller’s Day Off, managing AC/DC’s Brian Johnson, and more.

We chat to Andy Leighton, music publisher of The Rocky Horror Show, about his involvement in the pop culture phenomenon as well as more recent projects.

We catch up with Josh Rabinowitz, EVP Director of Music for the Grey Group, to discuss the first ever Entertainment Lions for Music.

We caught up with Peter Raleigh, co founder of our client Raleigh Music Group, during Midem 2016 to discuss representing American standards, re-gaining musical rights, and focusing on great customer service.

During Midem we chatted to music publisher, entrepreneur, mentor, and Midem pioneer Roland Kluger.

Our client SynchAudio chats to Toronto-based music supervisor Mikaila Simmons at CMW’s Sync Summit 2016.

We chat to Toronto-based Cymba Music Publishing about their current projects and the Canadian music industry.

As part of our brand new ‘Synchtank meets’ interview series we chat to Airship Enoch, musician, real life hero and creator of the first role playing album.