Audoo is helping artists and rights holders get paid more accurately with its tracking and music recognition technology. CMO Alex Futcher tells us more.
Chastan discusses Iconoclast’s unique approach, the significance of name, image and likeness rights, and why technology is creating an exciting new era for legacy artists.
Joel speaks to Meg Berry, a #1 Top 40 singer-songwriter-producer and a functional strength and regenerative fitness expert, consultant and mentor.
In the latest SyncLove episode, Josh Rabinowitz chooses A Clockwork Orange as the highlighted film and soundtrack for discussion.
For Heather Boyd, Vanilla Sky (2001; music supervisor: Danny Bramson) was a “career inspiring” film that “got me interested in sync and music supervision.”
The Erased Tapes Music team discuss the evolution of the company and the challenges and opportunities in today’s music publishing landscape.
Music Tech Works CEO Jarrett Hines talks us through rightholder.io, the music rights search engine for music licensing and sync professionals.
Tom Stingemore, Global President Sync & Creative, takes us behind the scenes of Hipgnosis’ sync operation and its unique song management approach.
Seasoned music supervisor Aminé Ramer joins host Kirt Debique, CEO and co-founder of SyncFloor, for the latest episode of SyncLove.
COO Lauren Pufpaf on helping the next generation of tech companies use music to drive revenue and engagement while ensuring rights holders get paid.
Saelyx Finna joins SyncLove’s host Kirt Debique, CEO and co-founder of SyncFloor, for the next installment in the series that explores the magic when music and picture meet.
For the kickoff episode of SyncLove this season, Droga5 Music Supervisor Mike Ladman discusses the soundtrack to Wes Anderson’s iconic The Royal Tenenbaums.
