Blokur Founder and CEO Phil Barry discusses improving music rights infrastructures to capitalise on an “era of golden opportunity” for the industry.
Eric Shaw on pitching legendary songs for advertising opportunities and the most interesting developments across the music publishing sector.
Audoo is helping artists and rights holders get paid more accurately with its tracking and music recognition technology. CMO Alex Futcher tells us more.
Chastan discusses Iconoclast’s unique approach, the significance of name, image and likeness rights, and why technology is creating an exciting new era for legacy artists.
Joel speaks to Meg Berry, a #1 Top 40 singer-songwriter-producer and a functional strength and regenerative fitness expert, consultant and mentor.
In the latest SyncLove episode, Josh Rabinowitz chooses A Clockwork Orange as the highlighted film and soundtrack for discussion.
For Heather Boyd, Vanilla Sky (2001; music supervisor: Danny Bramson) was a “career inspiring” film that “got me interested in sync and music supervision.”
The Erased Tapes Music team discuss the evolution of the company and the challenges and opportunities in today’s music publishing landscape.
Music Tech Works CEO Jarrett Hines talks us through rightholder.io, the music rights search engine for music licensing and sync professionals.
Tom Stingemore, Global President Sync & Creative, takes us behind the scenes of Hipgnosis’ sync operation and its unique song management approach.
Seasoned music supervisor Aminé Ramer joins host Kirt Debique, CEO and co-founder of SyncFloor, for the latest episode of SyncLove.
COO Lauren Pufpaf on helping the next generation of tech companies use music to drive revenue and engagement while ensuring rights holders get paid.
