Jon Bahr on the secret to CD Baby’s booming sync operation, creating a fair business for rightsholders, & what the future holds for the post-pandemic music industry.
Wheatus frontman Brendan Brown discusses the band’s enduring cult classic “Teenage Dirtbag” and explains why they have spent years re-creating the song.
Big Sync Music’s new country managers in France, Germany and Australia explain how they are helping brands to meet their music needs on a global scale.
Pex’s SVP Digital Rights Bob Barbiere discusses the company’s recent acqusition of Dubset and explains why it has huge implications for music rights holders.
ICE Services CEO Thorsten Sauer explains how their unique processing hub is tackling the data challenges presented by the digital era and helping rightsholders get paid.
Five Vectors is looking to disrupt the music for gaming space with a unique & data-driven blend of tech & creativity. We chat with co-founder Wasae Imran to find out more…
PRS’s Tim Arber talks to us about the development of the dashboard, how it works, where it fits into the wider marketplace and how it will expand next.
In part 2 of our deep dive into the business behind horror soundtracks, we chat with Mondo’s Spencer Hickman and Sacred Bones’ Brad Sanders.
In part 1 of our Halloween special we go behind the business of horror music releases with Silva Screen Records, WaterTower Music and Cutting Edge Group.
Big Sync’s Dominic Caisley chats with respected artist Maverick Sabre about his new music and connecting to people through the powerful combination of music and visuals.
Entertainment Intelligence (Ei) is changing the way the music industry collects, views and utilises data. We get the inside scoop with founder Greg Delaney.
A year on from the launch of Enter Records, we catch up with with label head and Head of Esports at Universal Music Gustav Käll to discuss the future of esports and music.
